Mar
16
to May 24

Zen Spaces : Douglas Beasley and Rebecca Pavlenko

An exhibition featuring work by two Twin Cities-based photographers who share views of Zen-infused locations in Japan and the United States.

Location: Northside Artspace Lofts Gallery, 229 Irving Avenue North, Minneapolis 55405

 
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Jan
21
6:00 PM18:00

3RDTUES Photobook Group January 2020

January 2020 Photographer of the Month Peter Beard and a selection of his handmade diaries.

January 2020 Photographer of the Month Peter Beard and a selection of his handmade diaries.

This month TCphotobookworld considers the photobook as diary. Or should that be diary as photobook? Either way, feel free to bring books that echo this theme. Think about the handmade, self-reflective, highly subjective, first-person point of view.

Or whatever you received for end-of-year gifts.

See you around the table.

 
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Jan
1
to Jan 31

ARTIST OF THE MONTH January 2020

Peter Beard

American, born January 22, 1938

Portrait of Peter Beard used by Francis Bacon for paintings he made in the 1970s.Source: https://www.francis-bacon.com/content/peter-beard

Portrait of Peter Beard used by Francis Bacon for paintings he made in the 1970s.

Source: https://www.francis-bacon.com/content/peter-beard


Peter Beard’s career has brought him into contact with popular, artistic, and literary celebrities of the second half of the 20th century. His jet set milieu, however, has not muted Beard’s passion for the survival of the natural world in the face of ill-considered human interventions. A legendary correspondent, diarist, and raconteur, Beard’s path has intersected with the likes of Mick Jagger, Andy Warhol, Baroness Karen Blixen (a.k.a. Isak Dinesen, author of Out of Africa), fashion models Cheryl Tiegs and Iman, Francis Bacon (see illustration above), Brigitte Bardot, avant garde filmmakers including Jonas Mekas and Jerome HIll, and many others. His work reflects the ethics of an ardent yet skeptical humanist with a wise, gimlet-eyed take on the ambitions and vanity of homo sapiens. Crocodiles, lions, elephants, giraffes, and other members of the wild kingdom are Beard’s true celebrities.

I’m for conservation, but it’s mostly a con. That’s the trouble. It’s sentimental. Buy an elephant a drink, a lion an acre.
— Peter Beard
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Dec
15
1:00 PM13:00

STUDY GROUP ~ DECEMBER

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talking photography

Study Group @ TC Photo

Sunday, December 15, 2019 1 - 3 p.m.

Join the group for a discussion about artist-of-the-month Marilyn Bridges, sacred sites, and aerial photography. Bring observations, gain insight, enjoy real-time, shared space discussion with other dedicated students of the medium. Suitable for avid learners of all ages and abilities.

There is no admission charge for this event, though contributions to TC Photo’s general operations will be gratefully accepted.

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Dec
1
to Dec 31

ARTIST OF THE MONTH December 2019

Marilyn Bridges

American, born December 26, 1948

Marilyn Bridges, 2003 (courtesy of Wikipedia)

Marilyn Bridges, 2003 (courtesy of Wikipedia)


Through her indomitable drive to capture our collective history, Marilyn Bridges has continued to photograph landscapes marked by the designs of nature and man. Her photographs seek to establish a bond between the past and the present, and reveal the interplay of geography, time, and human intervention.
— Cornell Capa, Director, International Center of Photography
While on an assignment from a travel magazine in 1976, I was coaxed into an aircraft to take photographs of the enormous prehistoric ground drawings on the pampa at Nazca, which can only be seen in their entirety from the air. The flight in a single-engine airplane was a do-or-die initiation. Thermals over the desert rocked the plane constantly, not only scaring me intensely but also making me rather sick. Despite this negative reinforcement, what I was seeing below me was so fantastic that I was instantly hooked on flying and aerial photography.
— Marilyn Bridges, from her monograph Planet Peru (Aperture, 1991)

Bridges’ work compares favorably to: Terry Evans; Will Garnett; Emmett Gowin; David Maisel; Edward Steichen’s aerial reconnaissance photographs


Featured Publications


Markings: Aerial Views of Sacred Landscapes (Aperture, 1986)

The Sacred & Secular: A Decade of Aerial Photography (ICP, 1990)

Planet Peru: An Aerial Journey Through a Timeless Land (Aperture, 1991)

Egypt: Antiquities from Above (Little, Brown & Co., 1996)

This Land is Your Land: Across America by Air (Aperture, 1997)

Flights Through Time (Lodima Press, 2007)


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May
17
5:30 PM17:30

TC Photo PROXIMITIES print auction May 17

Above, examples of work by Linda Brooks that will appear in her forthcoming book PROXIMITIES


Gather for a Print Auction and Celebration of Photography in the Twin Cities

One night only!

Friday, May 17, 2019 | 5:30 - 8 p.m.

Koechel Peterson Building

2600 East 26th Street in Minneapolis’ Seward neighborhood


GALLERY OF DONATED WORK


ALL OF THESE AND MORE WILL BE ON THE WALLS (UNTIL THEY GO HOME IN THE HANDS OF SUCCESSFUL BIDDERS!) FRIDAY MAY 17.


THINK OF IT AS A ONE-NIGHT POP-UP EXHIBITION.

FEATURING WORK BY SOME OF THE PHOTO WORLD’S MOST OUTSTANDING ARTISTS.



Above, illustrations of work donated to support TC Photo and its publication of PROXIMITIES

Join us Friday May 17 for a celebration of Twin Cities photography, featuring the forthcoming monograph PROXIMITIES by Linda Brooks.

Doors open at 5:30 p.m., welcome remarks at 6:15, bidding closes at 7:30.

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Den-Zell Gilliard: In the Company of Others @Gordon Parks Gallery/Metropolitan State University
Jan
28
to Feb 21

Den-Zell Gilliard: In the Company of Others @Gordon Parks Gallery/Metropolitan State University

  • Gallery located in Metro State Univ. Library & Learning Ctr (map)
  • Google Calendar ICS

The Gordon Parks Gallery invites the community to explore the photography of Den-Zell Gilliard through the exhibit In the Company of Others. In celebration of African American History Month, Gilliard's exhibit presents selections from three series:

  • Sunday’s Best, highlighting portraits of parishioners, Sunday services and church leaders in several African American churches in south Minneapolis

  • Odyssey of a Black Boy, featuring photographs of urban black youth and families in action outdoors

  • Various self-portraits, capturing the flamboyant, often vicarious, and generally enthusiastic character of the artist

Viewed comprehensively, these series are simply about life in an African American community in all its beauty and poignancy, and more complexly about the models available and the life choices that the artist knows he must make.

“Gilliard is a young ‘street’ photographer and lifelong resident of south Minneapolis. He never stages his shots, but shoots from life as it happens in the communities he inhabits,” says Guest Curator John Schuerman.

RECEPTION & GALLERY TALK Thursday, February 7, 6 - 8 p.m.

Interview with Gilliard and Juleana Enright, MplsArt.com December 17th, 2017 link here

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Yes, and the body has memory... @Macalester
Jan
23
6:30 PM18:30

Yes, and the body has memory... @Macalester

After being dislocated from its original venue due to adverse response from tenants in a loft building attached to the exhibit space, this group show curated by Mara Duvra is completing its run in the Law Warschaw Gallery in Macalester’s Janet Wallace Fine Arts Center.

The exhibition uses the work of Leah Edelman-Brier, Lorena Molina, Carla Alexandra Rodriguez and Rikki Wright to explore how familial and cultural history get passed on through generations. What unexplainable, ineffable legacies of trauma are transmitted? These artists touch on home and all its multifaceted meanings, home as in land, place of origin, as in the body, as the corporeal and spiritual connections to mothers, sisters, aunts.

Join curator Mara Duvra and artists Carla Alexandra Rodriguez and Leah Edelman-Brier for an evening to celebrate the exhibition’s successful conclusion and catalog, as well as discuss the exhibition and themes.

Yes, and the body has memory… remains on display at Macalester until January 26.

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Jan
15
6:30 PM18:30

3RDTUES Special Event 1/15/2019

For our first Third Tuesday gathering of the new year, TC PhotoBookWorld is going out to a movie. Dodd Demas, a regular group attendee, has kindly offered to host a screening of How to Make a Book with Steidl, a 2010 documentary about the contemporary German photobook mega-publisher Gerhard Steidl.

Please feel free to bring books for our usual discussion.

There is no admission fee required, but for the sake of our host the group size must be limited. Please sign up for a spot as soon as you can. Those on the list will receive directions to the location.

NOTE: Dodd regrets to inform us that his house is inhospitable to those with strong allergies to domestic animals. Along the same lines, he also counsels attendees to avoid wearing dark colors.

REGISTER IN THE CLASSES SECTION

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Adam Jarvi: These Landscapes Don't Exist @NewStudio
Nov
30
to Jan 4

Adam Jarvi: These Landscapes Don't Exist @NewStudio

Adam Jarvi: These Landscapes Don’t Exist
Images of the Iron Range’s Fleeting Industrial Terrains

Opening Reception
Friday, November 30, 5:30-8:30 pm
Free and open to the public

On View
November 30, 2018 – January 4, 2019

These Landscapes Don’t Exist is an exhibition of photographs capturing the fleeting industrial terrains of the Mesabi Iron Range. The exhibition highlights the ephemeral nature of Minnesota’s mining landscape and the tension between the natural and industrial environments. 

About the Artist
Adam Jarvi was born and raised in Hibbing, Minnesota. He received his Master of Architecture from the University of Minnesota’s College of Design in 2009, where his thesis work focused on architectural interventions that challenge the way visitors experience the landscape of the Iron Range. Adam is an Adjunct Assistant Professor at the College of Design and is a licensed architect and Associate Principal at NewStudio Architecture. His photography has been published in Artful Living, Midwest Home, and White Bear Lake Magazine. He currently resides in Saint Paul. Follow Adam on Instagram.

Hours
Monday through Friday, 10 a.m. to 4 p.m.
Or by appointment

Contact
2303 Wycliff Street
Saint Paul, MN 55114
651-207-5527
gallery@newstudioarchitecture.com

Hull-Rust-01 Adam Jarvi.jpg
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Sep
15
to Oct 4

Amy Ballinger: An Imagined Journey @Gallery 427

Amy Ballinger Dreams (Present).jpg


I love to tell stories with my photos; to suggest a journey, dark, magical and full of possibilities. I love the contrast between life and death, dark and light and strive to show the beauty and tension between the two. I have always been inspired by dreams; the fantastical feeling of being in another world, how the impossible becomes possible, how forms morph and change and how universal laws such as gravity do not exist. With my photographs I hope to capture the surreal feeling of a dream and transport the viewer to another world full of imagination.

—Amy Ballinger

The artist’s web site

Gallery 427 is located in the Northrup King building in NE Minneapolis. It will be open on two Saturdays, September 22 and September 29, from noon to 4pm. There will be a closing reception on Thursday, October 4, from 6 to 9pm

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2nd Annual Rejected Exhibition
Sep
14
7:00 PM19:00

2nd Annual Rejected Exhibition

This is a one-weekend show at Praxis Photographic Arts featuring photographs submitted to but not selected for the 2018 Minnesota State Fair Fine Arts exhibition. In addition to the hours on Friday Praxis will be open Saturday 9/15 and Sunday 9/16 from 10 to 5. These times coincide with the LoLa (League of Longfellow artists) Art Crawl (link to LoLa’s Facebook page here for more information).

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Sep
12
to Dec 8

Xavier Tavera: On Purpose: Portrait of the Liberal Arts

Xavier Tavera cla_150th_anniversary.jpg

This exhibition, carried out to celebrate the 150th Anniversary of the College of Liberal Arts (CLA) at the University of Minnesota, includes sixty portraits by Xavier Tavera reflecting the sixty departments within CLA. As Tavera notes (in this video made the afternoon of the opening reception on September 13), the portraits highlight the “importance of the collective” in scores of collaborations undertaken over a two-year period.


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Sep
10
to Nov 1

Melissa Borman: What To Do When Lost in the Woods @ Gustavus Adolphus

Borman What-to-Do-1.jpg

(It's a busy month for Melissa Borman.)

Borman created the work in this exhibit after a serious injury significantly limited her mobility for a long period of time. Each piece in the exhibit is inspired by a Forest Service text instructing hikers on what to do if they become lost. (from gallery press release)

RECEPTION: Sept 19, 4-6 p.m.

See the artist's website for more information about the work on exhibition.

Schaefer Art Gallery is located in the Schaefer Fine Arts Building on the campus of Gustavus Adolphus College in St. Peter, Minnesota FFI

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Sep
8
to Oct 1

Melissa Borman: A Piece of Dust in the Great Sea of Matter @ Rosalux Gallery

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A Piece of Dust in the Great Sea of Matter

Exhibition of photographs by Melissa Borman runs at Rosalux from September 7 through 30.

These concurrent exhibitions [Borman and painter Shannon Estlund] bring together the artists’ shared interest in investigating our physical relationship to the natural world. In contrast to traditional landscapes in painting and photography that typically feature commanding views and vast overlooks, the images in this exhibition reflect a desire to engage intimately with natural spaces. These photographs and paintings feature obstructed views, unexpected vantage points, and a close investigation of the relationships between environments and the figures that occupy them. (from gallery press release)

Reception Friday, September 7, 7 to 10 p.m.

Press release from Rosalux

melissaborman.com

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Aug
27
to Oct 21

Anthony Paul Marchetti: Paul

Anthony Paul Marchetti from Paul exhibition.jpg

This photographic series focuses on Marchetti's maternal grandfather, a man he never knew, a man named Paul who met his grandmother during her refugee flight from Hungary at the end of WWII. The work starts from exploration of facts and moves to contemplation of a narrative that remains incomplete.

https://anthonymarchetti.com/section/404883-Paul.html

Johnson Gallery, Bethel University

Clauson Center (CC building)
2nd Floor
3900 Bethel Drive
St. Paul, MN 55112

Maps and directions

 

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Aug
11
to Feb 17

A History of Photography Remix: Selections from the Mia Collection

Portrait of Fateh Singh, Maharana of Udaipur & Mewar, 1920-1930 Unknown artist Overpainted gelatin silver print The Glenda and Richard Struthers Endowment for Art Acquisition 2017.56.4

Portrait of Fateh Singh, Maharana of Udaipur & Mewar, 1920-1930 Unknown artist Overpainted gelatin silver print The Glenda and Richard Struthers Endowment for Art Acquisition 2017.56.4

Harrison Photography Gallery and Perlman Gallery
Free Exhibition

From its inception in the 1820s, photography has become the most popular medium for artistic expression. Today, photographs are everywhere, whether made with a smartphone or encountered online, at home, in magazines—or here, in an art museum. Photography’s power is undeniable: photographs communicate what words cannot.

This thematically organized exhibition draws from Mia’s vast and varied collection of approximately 12,500 photographs. Together, they form a constellation of photographic visions and practices that extend across numerous places and points in time, revealing a multiplicity of histories, techniques, and perspectives. One of the first art museums in the United States to collect photography—since 1965—Mia continues to expand its collection. This exhibition also showcases many recent acquisitions and promised gifts that provide new connections and insights.

Exhibition organized by Yasufumi Nakamori.

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Beth Dow: Prediction Error
Jul
19
to Oct 28

Beth Dow: Prediction Error

  • Minneapolis Institute of Arts (map)
  • Google Calendar ICS

Throughout her career, Beth Dow has explored the dual nature of the photograph as both an image you see and an object you handle. For her exhibition, Prediction Error, Beth plays with our perception and expectations. Without signals (like flower stems, blue skies, or natural colors) which ground our understanding of the images, we might become uncomfortable. The absence of what we expect to see in a photograph creates a disconnection within our perception that can result in abrupt adjustments within ourselves—physically and mentally. We begin to question our vantage point within the image and, ultimately, the nature of the photograph all together.

Dow’s photographs have been exhibited throughout the Midwest, as well in New York, the United Kingdom, Japan and China. She has been the recipient of a Minnesota State Arts Board Fellowship (2008), a McKnight Foundation Fellowship (2004), and a Greater London Arts grant (1989).

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